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2011 marks the 250th anniversary of the coming of New England and Irish Planters to Nova Scotia. “Necessaries and Sufficiencies,” is a social political, cultural and material microhistory of 18th-century daily life in the district of Cobequid, now part of Colchester County. Eight vignettes from a cross-section of immigrants detail migration and settlement and the evolution of New England and Irish cultural mores in this wilderness setting. Occupations of both men and women, family and religious life, educational and social institutions, health care, commercial links and more. A separate section chronicles Cobequid’s reaction to the American Revolutionary War.
We are all caught up in one another, Scott Lauria Morgensen asserts, we who live in settler societies, and our interrelationships inform all that these societies touch. Native people live in relation to all non-Natives amid the ongoing power relations of settler colonialism, despite never losing inherent claims to sovereignty as indigenous peoples. Explaining how relational distinctions of “Native” and “settler” define the status of being “queer,” Spaces between Usargues that modern queer subjects emerged among Natives and non-Natives by engaging the meaningful difference indigeneity makes within a settler society.
Morgensen’s analysis exposes white settler colonialism as a primary condition for the development of modern queer politics in the United States. Bringing together historical and ethnographic cases, he shows how U.S. queer projects became non-Native and normatively white by comparatively examining the historical activism and critical theory of Native queer and Two-Spirit people.
Presenting a “biopolitics of settler colonialism”—in which the imagined disappearance of indigeneity and sustained subjugation of all racialized peoples ensures a progressive future for white settlers—Spaces between Usnewly demonstrates the interdependence of nation, race, gender, and sexuality and offers opportunities for resistance in the United States.
In Making Settler Cinemas, Peter Limbrick argues that the United States, Australia, and New Zealand share histories of colonial encounters that have shaped their cinemas in distinctive ways. Going beyond readings of narrative and representation, this book studies the production, distribution, reception, and reexhibition of cinema across three settler societies under the sway of two empires. Investigating films both canonical and overlooked, Making Settler Cinemas not only shows how cinema has mattered to settler societies but affirms that practices of film history can themselves be instrumental in encountering and reshaping colonial pasts.
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